Produced by The Contemporary Classical Composers' Bullshit Generator:

The fact that tones tend to (at least in their unified state), tonally influence, even in the presence of a strong perception, is, you will agree, patently absurd. It has been said that those who premiere a device are unable to reject or layer dyads, at least not percussively, but I fundamentally disagree. I have found that extended systems, in combination with unaccompanied aesthetics enable me to fragmentarily perceive brand-new visions in a highly intra-transdisiplinary and extremely Expressionist way. The fact that developments tend to (at least in their microtonal state), semantically abandon, even in the presence of a strong piece, is, you will agree, patently absurd. My fanfare is the only one of its kind, due in part to the inclusion of highly-microtonal orchestration-oscillations, with a hint of so-called 'perception-sources'.