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AP photo via NPR.

Very pleased to report the appearance of another New Yorker piece by Jordan Orlando, this one a tribute to the late William Goldman and the making of maybe his greatest screenplay, All the President's Men:

William Goldman, who died a week ago, had already written three Robert Redford movies when the actor contacted him in early winter of 1974 and asked him to write a fourth: an adaptation of Carl Bernstein and Bob Woodward’s forthcoming book, a firsthand account of the two young Washington Post reporters’ Pulitzer Prize-winning investigation of the Watergate scandal. Redford was the one doing the asking because he was producing the movie under the aegis of his company, Wildwood Enterprises—Redford was among the first wave of post-studio-system, post-auteur-movement movie stars who, in the late nineteen-sixties and early nineteen-seventies, began taking direct control of their careers, forming companies that would choose projects; select co-stars, directors, and writers; and participate in the casting, writing, and promotion of their movies. But Redford’s involvement in “All the President’s Men” was unusually complex and deep, predating not just Goldman’s involvement but also the conception of the book itself. By most accounts, Redford is a big reason why the book—which launched Bob Woodward’s iconic career as the first modern “star” reporter and permanently changed the public’s understanding of journalism—assumed its innovative form, focussing on the reporters and the Post rather than Nixon and the White House. But it was Goldman, in the crowning achievement of his long, successful career as a novelist and screenwriter, who used his screenplay to forge the modern myth of the reporter as hero.

Glad to see that double-s "focussing" in the first graf just in case people don't believe it's really the New Yorker. This is starting to look like a career. Congratulations, Jordan!