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| Stamp Act riots, Boston, 1765. Can't find a decent credit, but I think it's from Britain. |
Reading a truly remarkable essay in The New Republic by William Hogeland, "Against the Consensus Approach to History" taking on the lofty historians after World War II who developed the myth of the revolutionary founding of the United States as a unified product of the Enlightenment and the belief in innate rights; in particular Edmund Morgan:
Throwing out elder historians’ prevailing focus on the founding generation’s self-interest (Clarence Alvord had said that George Washington became a patriot to defend speculations in Indian land) and on its class conflicts (Carl Becker had said that the Revolution was not only over British rule but also over the rule of elite Americans), Morgan sought to identify the grand principles that the revolutionary generation agreed on. “What the colonists had to say about Parliamentary power and about their own rights deserved to be taken seriously,” he explained later.
As the U.S. began to exercise new power around the world, Morgan set out to show that the protests in the 1760s and ’70s against the Stamp Act and other British policies offered slam-dunk evidence of a founding American consensus on principles of rights. Inherent to the American character, that consensus unified the colonists, he said, inspired the Revolution, and brought about the United States. In the larger context of his work, and the work of similarly minded colleagues, the lesson was that the founding American commitment to rights persisted in postwar U.S. commitments to modern liberal democracy.
I.e., something that sounds as if it had been designed by the CIA, in contrast to the more cynical and materialistic views, whether leftist or conservative, of the period from the Progressive Era to the New Deal (and views, I would add, that also recognize the diversity of the North American colonials, not quite the way we'd want to do it today with a focus on oppression and intersectional identity, but more compatible with that than the postwar picture).






