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Unidentified illustration from the
Brittanica article
on the 11th-century Kathāsaritsāgara ("Ocean of the Streams of
Story") by Somadeva.
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Frank Wilhoit showed up in the
comments
yesterday with some criticism I'd partly take issue with, but which forces me
to note that the original post was a real soggy bloggy mess, structurally,
about too many things at once, and I feel I really ought to pull it apart a
little bit, to clarify.
Wilhoit wrote:
Dismissing Brooks has by now become a deeply-ingrained reflex. To be sure, he
has earned that; but if you are going to quote him and try to refute him
(which I have previously diagnosed as a poor use of your time), then at least
spot his key words. This time the key word is "stories": and he has stumbled
over something much too large and important for his limited comprehension.
"Stories". Not philosophy; not pseudophilosophy; not propaganda; not
"lies": stories. Think that through, right to the bottom.
As far as Brooks goes, I'll say it again: I get a few different things out of
playing with Brooks that I wouldn't want to give up, though I've slowed way
down in recent years as his well gets dry. One of these things is just fun:
because he's such a bad writer and bad researcher, it's easy to make fun of
him, and satisfying because his social status is or used to be so high.
But there's generally more to it than that, and I almost never mean to be
actually writing about Brooks at all, but about the subjects he wants to
discuss. Like anyone who writes, I write largely in order to find out what I
think, and to inform my thought through the process, and I'm interested in a
lot of things I'm not very well informed about at all. So is Brooks! Though
not interested in the same way—mainly in elevating his status as a pandit or
universal expert over the widest imaginable range of material, and too lazy to
learn much of anything or to learn any of it right.