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| Blythe Danner as Martha Jefferson with William Daniels (Adams) and Howard da Silva (Franklin), from Barb Spangler's Pinterest. |
Found myself watching the 1972 movie musical
1776 (based on the Broadway show, with music and lyrics by Sherman Hunt, book by Peter Stone, directed by Peter H. Hunt) on the teevee at the end of the day, a dramatization of the Continental Congress activity in Philadelphia over the two or three months leading up to that first Fourth of July. Not a very plausible subject for a musical comedy, with dozens of male characters and basically no women (the female lead, Abigail Adams, is hundreds of miles away in Quincy the entire time and appears on stage only in John Adams's daydreams, or staged reconstructions of their very extensive correspondence, depending on how you look at it), and there really aren't enough songs in fact, or too many words (it's almost three hours).
What they really did right dramatically, I thought, and it feeds into the way we should think about the history, is to present it in terms of a series of conflicts among the delegates, in which everything could go wrong at any moment, principally between a startlingly obnoxious, pushy Adams (we like him, and know he's right, but we see why Franklin is the only one of the characters who does) and more or less everybody else, simultaneously or in sequence, beginning with his rage at them all for their preoccupation with trivia and refusal to understand the colonists' need to separate themselves from the empire that's trying to kill them all.