|"Remember Uncle August, the Unhappy Inventor", by Georg Grosz, 1919. Via this Michael Lewis article.|
Bret Stephens betrays an interesting facet of his own urbane fascism ("Democrats and the Losing Politics of Contempt"):
Democrats may think the brand is all about diversity, inclusion and fairness. But for millions of Americans, the brand is also about contempt — intellectual contempt of the kind Nimzowitsch exuded for his opponent (the grandmaster Fritz Sämisch, who, in fairness, was no slouch); moral contempt of the sort Hillary Clinton felt for Trump (never more evident than last year when Hillary Clinton wondered, “Why aren’t I fifty points ahead?”).I really misread this on first glance as accusing Clinton of contempt for voters, which would of course be dead wrong: a classic liberal, Clinton was assuming ordinary folk are possessed of some common wisdom. The majority may not have time to devote to the arcana of policy, but they surely have enough American goodness and plain sense not to vote for an obviously deeply ignorant and psychopathic clown for the highest office in the land. (I actually continue to believe this, as I imagine she may too, in spite of the November results, in my case because I always count the nonvoters; they were wrong in my view, whether too susceptible to the propaganda or just too cynical, but not contemptible. Those abased enough to vote for Trump, on the other hand, make up just a quarter or so of the electorate, and I do allow myself to feel a certain contempt for them.)
But on second reading I see Stephens isn't talking about that at all; he's on her disrespect for that same ignorant and psychopathic clown.
That's the Bret Stephens who wrote, in 2015,